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    女和男—最新科学解读的性 - 纪录片

    2009日本纪录片
    导演:NHK
    演员:松本和也 中條誠子
    男人和女人为何会喜欢上对方?为何恋爱在三年内却冷淡下来?为何很多夫妇在4年内便离了婚?这个谜团,就蕴藏在大脑里。借助最新的科学,一窥恋爱的心灵节奏。研究表明,恋爱中的男人和女人的大脑,活跃地是同样的部位,因而相互吸引。另一方面我们从另外一个事实洞察到了,相爱的双方各有特质,这成为不幸分歧的很大原因。在三回的本系列中,我们将向大家展示作为永远主题之一的男人和女人。这是一个关于男人与女人之间的纪录片,影片以一对男女相爱的过程为主线,以科学的角度解读的男人和女人。
    女和男—最新科学解读的性
    搜索《女和男—最新科学解读的性》
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    新科学怪人 - 电影

    1974美国喜剧·科幻
    导演:梅尔·布鲁克斯
    演员:吉恩·怀尔德 彼得·博伊尔 马蒂·费德曼
    年轻的法克斯坦博士神推鬼撞下来到祖父的城堡,无意中发现了一本祖父的记事簿,在驼背人伊哥与性感野性的伊加帮助下,加上偷回来的脑,根据祖父的科学实验资料,成功制造了一具怪物–科学怪人。可惜,偷回来的脑出了岔子,导致科学怪人极渴望被爱,它离家出走,在郊外遇上小女孩与一名瞎子……   影史上数一数二爆笑到极点的电影!请务必先看过1931年的《科学怪人》及1935年的《科学怪人的新娘》电影版本再来看本片,因为本片所有镜头、对白、桥段、造型等,皆和旧版作了对比,却大大颠覆成搞笑版本!
    新科学怪人
    搜索《新科学怪人》
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    引人深思-新科学与美食 - 电视剧

    2014英国美食·社会·自然
    现代社会的食物全是添加剂,超加工食品风靡全球,整个拉丁美洲的肥胖率越来越高,为此一些科学家们针对健康饮食与食物营养进行了大量的实验研究,他们探索食物的成分,研究人们的食欲,甚至亲自下厨,向名厨学习厨艺,从而更好地探索食物对人类健康的影响,让我们一起来看看吧
    引人深思-新科学与美食
    搜索《引人深思-新科学与美食》
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    新信息革命-云计算技术的冲击 - 电影

    2008日本
    导演:NHK
    过去企业需要在每台电脑中安装软件,而现在开始引进全新的技术——“云计算”。互联网中的巨大的计算机替代电脑负责进行所有处理,IT产业的版图面临重大的变化,传统的软件产业将被“云”企业所替代。   庞大的计算机存在于网络空间,能轻易从任何地方接入,一旦接入,便可利用“云”的飞快的运算速度和性能。   “云”的卖点是低廉的费用,即使没有资金实力的企业,也能利用强大的信息处理功能,这具有划时代的意义。   将改变企业的经营和每个人的工作方式的“云计算”,我们一起来探讨其中蕴藏的潜力和待解决的课题——新信息革命-云计算技术的冲击
    新信息革命-云计算技术的冲击
    搜索《新信息革命-云计算技术的冲击》
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    哲学的权利 - 电影

    2009日本
    导演:Yuji Nishiyama
    This is the first documentary film on the International College of Philosophy (Collège   international de Philosophie: CIPH), founded by, among others, Jacques Derrida and   François Châtelet in 1983 in Paris. The film consists of interviews with former presidents   Michel Deguy, François Noudelmann and Bruno Clément, current vice-president Boyan   Manchev, and with former and current program directors Catherine Malabou, Francisco   Naishtat and Gisèle Berkman. The aim of this film is to consider the possibilities of the   humanities in general and philosophy in particular under the current conditions of global   capitalism. One of the main themes it tries to develop is the "question of the institution",   namely the relationship between philosophy and institutions—a topic that was very central   for deconstruction as elaborated and practiced by Derrida.   参见:http://todai-yale.jp/from_tyi/news/film09_en.html
    哲学的权利
    搜索《哲学的权利》
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    欧美文化艺术博览 - 纪录片

    1989美国·英国纪录片
    导演:Tony Cash Geoff Dunlop
    演员:迈克尔·伍德 西蒙·沙玛
    Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]
    欧美文化艺术博览
    搜索《欧美文化艺术博览》
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    欧美文化艺术博览 - 纪录片

    1989美国·英国纪录片
    导演:Tony Cash Geoff Dunlop
    演员:迈克尔·伍德 西蒙·沙玛
    Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]
    欧美文化艺术博览
    搜索《欧美文化艺术博览》
    影视

    日本科学技术 - 纪录片

    1998日本纪录片
    The Making是日本科学技术振兴机构(www.jst.go.jp)制作,其旗下The Science Channel出品,日本电视台放送的一套长篇科普电视节目。   题材是工厂实拍我们身边常见物品的制作过程(日版“造物小百科”),包括视频、日用品、体育器材、传统工艺品等。 The Making节目在bilibili和优酷等普通视频网站上,都约定俗成的翻译为“日本科学技术”。   自1998年起放送至今,迄今已经推出了309集正片和5集SP特别版。视频除在电视台放送之外,也通过The Science Channel向互联网无料公开配信。
    日本科学技术
    搜索《日本科学技术》
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    日本科学技术 - 纪录片

    1998日本纪录片
    The Making是日本科学技术振兴机构(www.jst.go.jp)制作,其旗下The Science Channel出品,日本电视台放送的一套长篇科普电视节目。   题材是工厂实拍我们身边常见物品的制作过程(日版“造物小百科”),包括视频、日用品、体育器材、传统工艺品等。 The Making节目在bilibili和优酷等普通视频网站上,都约定俗成的翻译为“日本科学技术”。   自1998年起放送至今,迄今已经推出了309集正片和5集SP特别版。视频除在电视台放送之外,也通过The Science Channel向互联网无料公开配信。
    日本科学技术
    搜索《日本科学技术》
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    权利场 - 电视剧

    2003中国大陆剧情·犯罪
    导演:高群书
    演员:何伟 王奎荣 郭涛
    全剧围绕林山市隆德药业集团抗癌新药KA合成制剂配方的争夺为贯穿线索,生动展现了反贪局长周鞍钢、检察长杨洪江与隆德集团高层方兴、李帅以及境内外黑势力代表人物林恕、严金栋之间那场惊心动魄的生死之战。   根据匿名举报,周鞍钢来到好友方兴的集团内部,从监管经济问题入手,层层剥茧、丝丝入扣,发现与新药相关的人和事存在诸多疑点,凭着职业的敏感更警觉到这一国有企业投资上亿元的新药配方及样品受到大多利益集团的关注,面临的艰险更激励他全身心地投入到工作中去。   随着案情事态的发展,联系到该市新发现毁容女尸案,掌握核心机密的李帅身边突然出现了来自香港的旧恋人冯云漪、神秘靓女秦芳,李帅和总工程师袁因近期行为反常,被捕入狱的前隆德主席拒不交待所贪巨款的去向......等等,一系列的疑点接踵而来,一个个可疑人物皆收入检察人员的视线之内。   更为意想不到的是,邮局发现装有断指的海外包裹,本有十成把握的新药样品送检时竟节外生枝,总工袁因突然被害,方兴突然令人费解地劝阻周鞍钢暂缓调查袁因之死,隆德股票制造虚假题材不断暴涨,一连串的意外事件使得本已复杂的案情更加扑朔迷离。经验告诉主人公,背后隐藏着更大的阴谋。
    权利场
    搜索《权利场》
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